Through the application of a pulse-level analysis to the entire flamenco repertoire and with the historical perspective afforded by the extensive phonographic legacy of flamenco, this volume describes and illustrates the essential features that define each of the flamenco metered genres or palos. The first part introduces a series of preliminary concepts surrounding rhythm and meter—terms rooted in conventional Western music theory that often reveal limitations when applied to oral traditions such as flamenco. This is followed by a detailed presentation and justification of the metric criteria—some of which may refine, or even challenge, deeply ingrained academic assumptions—underpinning the subsequent analysis of the metered genres.

The second part undertakes the analysis and classification of the metered flamenco repertoire. Using parameters such as metric group, metric formula, harmonic ostinato, and tempo, along with some principles of flamenco harmony, each palo is musically analyzed and described. This is illustrated through diagrams, samples of historical and didactic recordings, and curated phonographic selections. Following the analysis, the book offers a synthesis and summary of the key features of flamenco meter, including a rhythmic and harmonic classification of the repertoire. A chapter is also dedicated to flamenco polymetry—metric formulas that involve the simultaneous or alternating combination of two or three distinct time signatures.

Finally, the third part addresses the syntax of flamenco guitar playing—how the guitar articulates rhythm and harmony to create musical phrases. In this context, the study examines the regular phrases known as variations and falsetas along with irregular phrases—particularly prevalent in early recordings—and metric irregularities such as the medio compás and the bulería rota.

Cover photo: Ana Palma